-the-rack Chanel Resort 2014 ensemble, Katy lived up to our expectations. She rocked a black-and-white floral dress that featured a scoop neck and black waistband that showed off her curvy physique. Katy finished off her look with a black and silver Chanel Lego bag, diamond jewels, a sleek bun, and pink lips to seal the deal.
Katy seemed to enjoy the Hermes new constance bagshow as she tweeted “I wish there was a Chanel emoji.” The starlet sat in the front row in great company with Vanessa Paradis and Zoe Kravitz.
some element of Chanel: a camellia, a pearl, a bottle of No. 5. Some of them had red dots beside their titles, like they'd already been sold. Postshow, he wearily insisted he had no intention of doing any such thing; he'd already been asked a thousand times, just like he'd been asked to sign the whole lot.
The coming together of concept and design was clearly responsible for the way Lagerfeld's theme infected his collection to a greater degree than usual. "Transformative!" was Koons' response at Stella McCartney's show the other day when he was asked about the common ground between art and fashion, and the transformations the Chanel atelier achieved with the signature tweeds were nothing short of art.
In fact, they weren't even tweed as we know it: They were some indefinable multi-processed hybrid of de- and reconstructed stuff that was then mounted on tulle to create outfits that were identifiable as iconic Chanel. Phew! And you can only imagine Lagerfeld's delight at fooling all Hermes passport holderof the people all of the time.
t to comment on this story. We welcome your opinions to allow a healthy debate. We want our readers to be responsible while commenting and to consider how their views could be received by others. Please be polite and do not use swear words or crude or sexual language or defamatory words. FMT also holds the right to remove comments that violate the letter or spirit of the general commenting rules.
Deconstruction, trompe l'oeil, collage, bricolage—this Chanel collection was a fest of art processes. You never get the sense that Lagerfeld is pushing himself; he makes everything look much too easy for that. Nevertheless, in the ninety-ish looks he showed today, there were more stories than he would usually be bothered to tell. For instance, a paint chart from the 1900s yielded a whole group of primally Pantone-ed pieces. They were something quite new for Chanel.
There were great things that looked like they'd been scissored from charcoaled canvas—again, in keeping with the theme but intriguingly raw for Chanel. And Lagerfeld's collaborators kept the dream alive with their impeccable contributions. Sam McKnight's wigs were paintbrushes-cum-Darth Vader helmets of hair. Peter Philips' makeup looked like an artist had wiped his brushes on eyelids instead of on clothes or canvas. Macabre maybe, but one more Chanel pointer to the transformative art of fashion at its most far-reaching.
While we adore Katy and her style, personally this look is not one of my favorites. I love the fact that she wore head-to-toe Chanel to the fashion show, but this dress just doesn’t have that wow factor on Katy. We are sure that Katy’s looks to come are going to be amazing but this one fell short. What do you think? Are you loving Katy’s Chanel get-up? Do you think Katy could have looked better? Check it out and let us know what you think below!
没有评论:
发表评论