critical Beyonce Concert: Sticking to the script dramatically

There is a certain kind of celebrity that to be loved. "Only Human" Often fans love charm approaches sloppy, fast-and-loose to stardom, awkward, YOLO / oops-well, that spontaneity in the public eye. Jennifer Lawrence, for example. Rob Gronkowski. Ke $ ha Prince Harry.miu miu bags sale Beyonce Knowles-Carter is not one of those celebrities. Instead Beyonce is a testament to the ability of man to perfection, the merged "BeyHive" supporters to worship his composure and goodwill as an individual reach his nearly unmatched skills as a singer and his unwavering precision as an artist. And on Monday, the first of two nights in a sold-out Verizon Center, the 31-year-old was a well-oiled, well-executed, all cylinders firing spectacular about the height of all that the fans would have been expected. The "Mrs. Carter Show World Tour" where the rare concert tour arena that does not need is an opportunity. 'S new album, Beyonce, "4", has sold 1.4 million copies in the United States and brought a parade of singles - "Countdown," "Love on Top", "Run the World (Girls)" - but he was published in more than two years of "Mrs. Carter Show" before. Instead of walking on the strength of recent lit and personal services Beyoncé - a cute baby with her husband Jay Z, an autobiographical documentary HBO and highest level of performance at the second inauguration of President Obama and the Super Bowl halftime show this year. Famous staging of Beyoncé was exposed from the beginning of the DC concert. A video Beyoncé - which in various incarnations throughout the show, often with inspiration voiceover on empowerment and femininity, while the real Beyoncé was changing outfits - deconstructs the sound with a rich but mysterious Gagaesque, royalty installation. Masked dancers wearing cage crinoline led the procession on stage Verizon Center, where real Beyoncé spent her first 10 seconds stood still under the lights. Then, with a shoulder shimmy deliberate neck, she began the explosive "Run the World (Girls)". They would change costumes nine times - a black baseball cap with sequins and an oversized sweater for a Michael Jackson-inspired "Get Me Bodied" by a tiny animal print romper for a given stage of "Grown Woman" is. Whatever the clothing, it tramples its brands supplied, flips hair and squats and lunges aerobics class, heroically carried out (as always) in heels. Beyonce also has its presence with his voice from Olympus. With singer, affectionately known as the moms know they put a Vegas lounge act swing twist on the harmonies of "party", while "me Why do not you love" engaged in a question-and-answer while electrifying a wailing woman scorned in the tradition of 60s soul. Later, she was in perfect harmony with its stratospherically high plaintive solo guitar riff. And Mrs. Carter took a few moments to participate freely in the crowd. Six times in the first notes of "Get Me Bodied," she repeated, "Say Hey, Carter Miz" smiled, as a young teacher to his students on the first day of school love. At all strategic points during the show, she handed the microphone to the fans - the girls, each for a few seconds at a time, and once a man in white undershirt, the vocal riff in missed "Crazy in Love" as dramatic as the Hive "was delirious. But even if a little heat off-the-cuff would have been good, Beyonce raced on, insistently, as repeated. Would L'Oreal ad provides over its bigger naturally radiant smile offered more than enough, and the closing show of "Halo", a fan in the front row handed him a small painting on canvas. She thanked the fan, accepted the gift, and then looked uncomfortable - until she discovered a manager and handed the work of art lovers. Then thawed and continue to sing. Once she was done, Beyoncé was still under the lights, hair blowing in the wind perfect angle electric-fan-generated. With its tilted chin, eyebrows, ready for close-up, she turned in a performance that was, for better or for worse, the perfect image.miumiu handbag